Working on a still life drawing. It's really starting to look like something now.
17 October, 2013
05 October, 2013
Nancy Barch Workshop Aug 19-21, 2013
So, before leaving Delaware, I squeaked in one more 3-day workshop with Nancy Barch. I find it interesting to note that from workshop to workshop, my approach and thought processes have changed from the first workshop I took with Nancy. I am trying to become more process oriented and less concerned about outcomes.
My favorites from the workshop were built on top of older unfinished paintings.
My favorites from the workshop were built on top of older unfinished paintings.
07 July, 2013
Pat Dews Workshop June 10-14
For the longest time, I have been a huge fan of Pat Dews. Way back when I first started painting, I got of one of her books, and she quickly became one of my first art "heroes". Pat works in mixed media. Watercolor, ink, acrylics and collage. The supply list for this class was 2 pages long. We worked full sheet for all paintings (22"x30"), so even the paper took up a lot of space. Here is a photo of all the art supplies I took with me for the trip.
The following are photos of work in progress and painting "starts". We started a lot of paintings. I didn't finish most of them. This first one was created with acrylic inks.
This next painting below is what Pat calls an "altered surface". It was started from a failed painting I had kicking around from about 7 years ago. Previously, I would have chopped the painting up and made cards out of it. Pat showed us new ways to salvage lousy paintings and turn them into something new and interesting. The original painting shows through most readily in the grey patches. The original was bright orange and turquoise. I washed over it with some grey to tone it down a little before laying out a new design on top of it. It is interesting that a painting is more visually interesting and complex when it has some kind of under-painting, even if very little of it is obvious at the end. This is the magic of the "altered surface" (building a painting on top of an old one) rather than using a new sheet of paper. This one is well on its way, but still needs some work.
Painting below created with acrylic ink. There are things about it I really like, but it's not finished. Part of me likes the off balanced look of it, but hmmm...it really needs to have colors worked through from left to right and that big open space on the lower left really shouldn't stay that way.
This painting start was done with acrylics, and white spaces preserved by laying down collage pieces, which were painted over, and then removed.
The following are photos of work in progress and painting "starts". We started a lot of paintings. I didn't finish most of them. This first one was created with acrylic inks.
This next painting below is what Pat calls an "altered surface". It was started from a failed painting I had kicking around from about 7 years ago. Previously, I would have chopped the painting up and made cards out of it. Pat showed us new ways to salvage lousy paintings and turn them into something new and interesting. The original painting shows through most readily in the grey patches. The original was bright orange and turquoise. I washed over it with some grey to tone it down a little before laying out a new design on top of it. It is interesting that a painting is more visually interesting and complex when it has some kind of under-painting, even if very little of it is obvious at the end. This is the magic of the "altered surface" (building a painting on top of an old one) rather than using a new sheet of paper. This one is well on its way, but still needs some work.
This painting start was done with acrylics, and white spaces preserved by laying down collage pieces, which were painted over, and then removed.
Below is the finished painting from the painting start above. Inspired by one of the photos Pat brought with her, taken at a shipyard.
Here we all are at the end of a very busy week. Some amazing talent in this room! Most of the students were fairly local. Two ladies traveled all the way from Canada for this class. Pat is right there, front and center in the bright pink (paint covered) shirt. She is a fantastic teacher, and I highly recommend her workshops!
30 May, 2013
Watercolor with Experimental Mixed Media
For the spring term, I took a class at the Chester County Art Association in Watercolor with Experimental Mixed Media with Chris Chadwick. It was my intention to just go to the class, try out whatever he had in mind for us to do with no expectations of producing any artwork worth keeping. We used cheap watercolor paper, and a huge variety of other things to just experiment. For the most part, the paintings I did in class were nothing to write home about. However, a few paintings I like came out of it.
This first painting is watercolor with rice paper collage.
The paintings below were all done the last 2 weeks of class. In the second to the last class, he showed us how to do batik with paper, and we all enjoyed it so much that we unanimously voted to do batik in the last class also (he let us choose what we would do in the last class). I like the batik so much that I would eventually like to get the supplies to be able to do it at home. These are all watercolor with the batik.
This first painting is watercolor with rice paper collage.
The paintings below were all done the last 2 weeks of class. In the second to the last class, he showed us how to do batik with paper, and we all enjoyed it so much that we unanimously voted to do batik in the last class also (he let us choose what we would do in the last class). I like the batik so much that I would eventually like to get the supplies to be able to do it at home. These are all watercolor with the batik.
05 May, 2013
New Work
These paintings all utilize India ink. The washes are done with acrylic ink, although it looks a lot like watercolor.
05 April, 2013
Nancy Barch Workshop: April 2013
Another fantastic workshop with Nancy Barch! It was a 5-day workshop with a 3-day option (attend any 3 days). Due to the schedule at work, 3 days was all I could get off from work. These pictures were all "posed" with mat corners to show potential ways of cropping them. The last one really is not quite finished yet. I ran out of time and energy. Overall, I'm really pleased with what I was able to accomplish in the 3 days.
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